#BalletHistory during 1867 06 June

Pink Tutu Travels - Post #2478: 1867 – A Waltz Through Parisian Chic!

Hello, my darling tutu lovers! Emma here, ready to whisk you away on another exciting journey through time! This month, we're taking a trip back to June 1867, a truly exquisite year for all things ballet. Imagine me, clad in my signature sparkly pink tutu, atop my magnificent steed, Magic Meg - a majestic shire horse with a flowing white mane, golden hooves, and a shimmer that could rival a thousand diamonds - trotting down the cobblestone streets of Paris!

Now, I know what you're thinking: "Why Paris? It's not quite the hotbed of ballet history that Italy or Russia is!" But let me tell you, 1867 was a year of transformation for Parisian ballet.

Firstly, the Grand Opera House (now the Palais Garnier) - a veritable palace of ballet - was freshly built, all lavishly adorned with marble, gilding, and paintings of mythical scenes! It was the brainchild of Charles Garnier, an architect who understood that ballet wasn't just about dancing; it was an art form worthy of architectural grandeur. Imagine being able to slip into such a masterpiece, to see the stars under a glorious painted sky! Oh, the drama!

The Ballet du Théâtre Impérial de l'Opéra de Paris, the official company at the time, was experiencing its own renaissance. The renowned Marius Petipa, one of the most celebrated ballet choreographers in history, was now their ballet master, so naturally, they were buzzing with new works. The focus, as it always was, was on technical brilliance - the whirlwind turns, graceful jumps, and delicate footwork were mesmerising! You could practically hear the hushed whispers from the audience as they gasped in awe at the beautiful performances.

Speaking of fashion, the 1860s were all about elaborate ball gowns! Imagine swirling skirts of satin, layers of tulle, and delicate lace, all held in place by a glorious corset, which made every lady look like an ethereal, yet statuesque goddess. The ballet dresses were much the same – a reflection of the latest trends, of course – with long, billowing tutus and an abundance of feathers. And can we talk about the ballerinas' delicate coiffures? They were works of art in themselves, adorned with beautiful ribbons, flowers, and feathers – absolute masterpieces!

What's more, the waltz was the dance of the day! Every social gathering included this captivating dance. I mean, the swirling rhythm, the gentle touch, and the undeniable romance... I wouldn't have wanted to be anywhere else! This era is where a beautiful evolution of ballet took place, shifting away from the rigid formality of earlier years and embracing a more graceful and emotive approach. Imagine, my lovelies, feeling the emotion through each step!

However, it wouldn't be Pink Tutu Travels without a little adventure, now would it? So I hopped on Magic Meg and went for a whirl around the city, soaking up the sights and smells of this bustling metropolis. Can you imagine seeing the Eiffel Tower, which was just getting started, standing proud and elegant? It's one of the world's most iconic symbols! Imagine capturing this magnificent view through the lens of my camera, which of course, is always with me to capture memories for my wonderful readers!

It wasn't all about grandeur though. My bag (always overflowing with treasures found in my travels!) tells a story about the struggles of some ballet schools in Paris. Madame Virginie "La Sylphide" Dutoit was a well-loved but financially strained owner of one such school, dedicated to developing the raw talents of budding ballerinas. The struggle is all too real. Sometimes, when you are passionate, it can feel like your passion is all you have, just like the Parisian school. The history of dance is filled with stories like hers – so don't underestimate the power of perseverance.

Before I go, let's not forget that ballet fashion is a vital part of the experience. In 1867, the emphasis was on elegance and grandeur. And where else in the world could you find such luxurious fabrics and intricate designs than in Paris? The French certainly understood the magic of an outfit; they saw ballet as a celebration of the art of beauty. Oh, the fabrics, the designs, the accessories! My love of the pink tutu isn't just about a love of pink, it's about expressing that joie de vivre – that sheer love of life! It's a symbol of our shared love for this glorious dance form.

Remember, dear tutu lovers, we're not just time travelers; we're history makers, celebrating and learning from the stories that have come before us. I always find these stories make me even more eager to perform, share, and explore! What do you think? I am dying to hear your thoughts on this period in ballet. What a delightful journey, don’t you agree? Remember to leave your comments on my www.pink-tutu.com blog. Now, who’s ready for a waltz in the park? I certainly am!

Until next time, stay lovely, Emma x

#BalletHistory during 1867 06 June