#BalletHistory during 2027 03

Hello darlings! Emma here, your resident pink tutu enthusiast and time-travelling ballerina extraordinaire. As you all know, I live for ballet in all its forms. The costumes, the movements, the passion – it’s magic! And my greatest joy is bringing a bit of that magic to my blog every month.

This month, we're taking a trip back to March 2027 - a date that was quite significant in the ballet world, I have to say! Before we dive into that, let's have a quick chat about the beautiful fashion trends this month, shall we?

Pink, as you know, is my signature colour and I couldn't resist wearing my brand new fuchsia tutu this month! The bodice is beautifully embroidered with shimmering pink roses, and the layers of tulle just flow so gracefully with every pirouette.

To keep my look stylish yet practical, I’ve added a few nods to current trends: A cute vintage beret to cover those spring showers and a touch of bling with a silver necklace sparkling with dainty diamonds. After all, a girl has to shimmer!

As always, Magic Meg, my trusty pink Shire with her glittering golden hooves, was the star of the show, pulling my chariot through the time portal in a cloud of pink shimmering dust.

Now, back to the wonderful world of ballet in March 2027!

It seems like just yesterday that ballet was finding its footing again after the global events of the previous years. You wouldn't believe how many ballet companies were finding ways to use virtual performances and digital formats to reach audiences around the globe. And boy, did it work! It ignited a whole new level of global interest in the artform!

But 2027 was different. This was the year when ballet finally took back the stage, and it felt like a celebration of the entire art form!

Here's what I saw, right in the heart of the dance world!

It was a magical evening at the Royal Opera House when I saw the world premiere of "The Untamed Heart".

This ballet, choreographed by the incredible Natasha Petrov, was an absolute tour-de-force! The music by Anton Petrov (Natasha's twin brother, how brilliant!), perfectly blended modern and classical sounds to create an intense and passionate soundscape that resonated deeply with me.

The choreography was inspired by the life of Maria Tallchief (you know, the Native American prima ballerina - amazing!), weaving together tales of love, loss, and triumph. It felt so modern yet timeless, full of power and emotion.

The cast were amazing - Evelyn Parker (whose energy just exploded off the stage!) as the lead, and Oliver Moore as the tragically beautiful, tormented heartthrob - so good!

Afterwards, I met with Natasha Petrov and she told me that she wanted to tell a story that challenged the audience, and I can confidently say she did just that!

Next up, I flew (actually, Magic Meg galloped, very fast, she's a champion!) to Paris, and oh my! The energy was electrifying. This was the time of year for the annual International Ballet Competition held at the iconic Palais Garnier.

It's been a part of Paris since its first staging in 1961 - such a tradition! And I must say, the dancers were all breathtaking! There was just so much skill, talent and commitment from dancers representing companies from all around the world - it truly was a spectacle!

Chloe LeClair from Canada stood out, she is destined to be a star, I just know it. She received the Golden Swan for her incredible performance. I can see her grace and technical skills already captivating audiences in major cities across the globe. It was just incredible to be there for her moment of triumph.

But it was much more than just about competition, the whole vibe at the competition felt like a powerful celebration of the resilience of the ballet world - it had truly come back to life in such a strong way after the challenges of recent years.

You see, this whole time-travel thing really allows me to see the world of ballet from an incredible perspective! From Tokyo (where a beautiful choreography based on traditional Japanese Noh Theatre had my mesmerized - stunning use of masks and powerful movement) to Buenos Aires (the * pasión* there in tango-inspired ballets – wow!) and New York City, which saw a huge resurgence in support of independent ballet companies, I really am grateful for all that ballet offers and I can see just how strong the future looks!

Well, that's it from me this month! Magic Meg is already whinnying, wanting to whisk me off on our next adventure, so I better go!

But before I do, a quick reminder: Get out there, join a class, support a local company, put on your pink tutus, and dance, dance, dance!

Until next month, keep twirling!

Emma x